The Criterion Collection
Interviews
Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.
In Theaters
Nov 7, 2013 — Repertory PicksIf you’ve seen the films in our Eclipse set Pearls of the Czech New Wave, you surely will not have forgotten the lively and profoundly disturbing A Report on the Party and Guests. This was one of the most...
Nov 1, 2013 — Did You See This?• A trailer for The Great Beauty • The late Lou Reed’s new film • Why Halloween is the best movie holiday • When Halloween costumes were really scary • Body horror by Brakhage • Arcade Fire...
Sneak Peeks
Mar 19, 2013 — A distinctive trait of the films of Terrence Malick is the artful way they employ narration. Sometimes the voice-over is dreamy (Sissy Spacek’s in Badlands), sometimes it’s disarmingly concrete (Linda Manz’s in Days of Heaven), sometimes it comprises audacious, poetic...
Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.
Jul 11, 2012 — Performances Of all the stultified suburban folks in The Ice Storm, Ang Lee’s diamond-sharp adaptation of Rick Moody’s novel about two Connecticut families in the early seventies, Sigourney Weaver’s Janey Carver might appear the least in need of attention. Most...
Short Takes
Apr 6, 2012 — Images by the avant-garde icon can be seen at Anthology Film Archives this weekend.
May 13, 2011 — Craig McCall’s labor of love documentary Cameraman: The Life and Work of Jack Cardiff, a darling of the film festival circuit over the past year, opens today in New York and in a couple of weeks in Los Angeles. A...
Essays
Mar 29, 2011 — As the only film of a Gilbert and Sullivan opera brought to the screen with the participation of the D’Oyly Carte Opera Company, Victor Schertzinger’s 1939 Technicolor The Mikado is a unique specimen; however one rates it, there is nothing with...
Feb 2, 2011 — This essay first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the author. Michelangelo said he could sense the figure in the uncut stone; his job was...