After

Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.

Mar 15, 2016 — Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.

Mar 11, 2016 — Consider the story of Lolabelle, the rat terrier cast by Laurie Anderson—her human companion—in Anderson’s stirring, tender film Heart of a Dog.

Mar 11, 2016 — Valley of Love (2015), dir. Guillaume Nicloux “Filmmaking is a collective assemblage of desires,” said Isabelle Huppert when we sat down to talk on a recent morning. We were speaking about how she picks her roles, and how her own intuition...

Mar 9, 2016 — Earlier this year we were proud to release Swedish director Jan Troell’s two-film epic, The Emigrants (1971) and The New Land (1972). The films, starring Liv Ullmann and Max von Sydow, are based on Swedish author Vilhelm Moberg’s four-part series...

Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.

Mar 4, 2016 — Over the past half century, production designer Jack Fisk has created some of cinema’s most memorable on-screen worlds—from the farmlands of early-twentieth-century Texas to the byways of contemporary Los Angeles.

Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

Mar 2, 2016 — Over at the Sight & Sound blog, the BFI has just published an insightful and exhaustive article by Albertine Fox about the brilliant career of Anne-Marie Miéville, the Swiss-born multimedia artist and director of several acclaimed features, including: My Dear...

Feb 26, 2016 — Restoration SpotlightWith the Academy Awards coming up on Sunday, we’re celebrating the breathtaking work of cinematographer Emmanuel Lubezki, who is nominated this year for his work on Alejandro González Iñárritu’s The Revenant. If he wins, Lubezki will be one of...