In Between

Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.

Sep 16, 2021 — For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Sep 2, 2021 — Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.

Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.

Jul 30, 2021 — First: conscious neglect and budget cuts are threatening cinema’s legacy. Then: this week’s highlights.

Jul 26, 2021 — The main competition boasts new work from Jane Campion, Pedro Almodóvar, Ana Lily Amirpour, and Pablo Larraín.

Jul 22, 2021 — Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.

Jul 20, 2021 — Pedro Almodóvar will open Venice, and Toronto will bring several Cannes favorites to North America.

Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...

Jul 12, 2021 — The British director’s autobiographical sequel is one of the most enthusiastically reviewed films at Cannes so far.