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In America

Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Love Wins

The Daily

Oct 19, 2023 The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Oct 11, 2023 New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.

Oct 11, 2023 The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.

Sep 22, 2023 John Waters goes Hollywood, Terence Davies reads a poem, and Marguerite Duras tears it all down.

Sep 21, 2023 This October, brace yourself for chills, thrills, and some of the most mind-bending, spine-tingling horror imaginable.

Sep 1, 2023 Stan Lee meets Alain Resnais, plus interviews with Molly Haskell, Babette Mangolte, and Manohla Dargis—and James Quandt on Jean Eustach

Aug 28, 2023 Throughout her four-decade career as a writer and director, Susan Seidelman has told complex stories about unconventional women striving to express themselves and maintain their autonomy. Her genre-melding films fuse a passion for the pleasures of Hollywood spectacle with a...

Aug 18, 2023 This week we’re revisiting After Hours and other ’80s greats and the oeuvres of Yasuzo Masumura and François Truffaut.

Aug 3, 2023 Reubens’s man-child creation was the role of a lifetime, but filmmakers were eager to have him show us his real range.

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