The Artist

May 19, 2011 — If you build it, they won’t necessarily come. This is the deflating conventional wisdom among art-house and repertory theater owners today. Which is why the success of Film Streams, at the Ruth Sokolof Theater in Omaha, Nebraska, is such a thrill...

Dig in to these cinematic nail-biters!

Mar 28, 2011 — Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...

Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.

Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...

Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...

May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.

Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...

Jun 30, 2009 — With the fortieth anniversary of the first lunar landing nearly upon us (which we’re celebrating at Criterion with new DVD and Blu-ray special editions of the 1989 documentary For All Mankind), the brave men of the Apollo missions are once...

One of cinema’s great modern directors, this larger-than-life maestro created an inimitable cinematic style combining surreal carnival with incisive social critique.