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Jul 7, 2021 — Cannes’ opening night film has thrilled some critics, disappointed others, and left a few simply confused.

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Jun 28, 2021 — Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

Jun 28, 2021 — The new issue features in-depth writing on work by Radu Jude and Ryusuke Hamaguchi and tributes to Bertrand Tavernier and Monte Hellman.

Jun 24, 2021 — And we have more news from Locarno, Telluride, and San Sebastián.

Jun 22, 2021 — This omnibus documentary captures the remarkable peculiarities of athletic striving in the 1972 Olympic Games in Munich.

Jun 21, 2021 — The New York festival has presented its awards, premiered a star-studded heist movie, and thrown a party.

Jun 17, 2021 — On our minds this week: Lizzie Borden, Jenni Olson, Dorothy Arzner, Marguerite Duras, Jacques Rivette, and female detectives on television.

Jun 14, 2021 — Audiences immediately connected with the character actor who could hint at a deviant intent a behind an amiable smile.

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...