The Criterion Collection
Jan 21, 2020 — One of the lesser-known films in Godard’s extraordinary run of 1960s masterpieces, this severe, angular thriller was the director’s first foray into the political territory that would prove so essential to his later work.
Features
Jan 20, 2020 — In celebration of Federico Fellini’s 100th birthday, the director of The Farewell talks about the deeply moving final scene of Nights of Cabiria and its mixture of pain and hope.
Features
Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...
Sneak Peeks
Jan 13, 2020 — The romantic comedy Holiday (1938), the third of four collaborations between Katharine Hepburn and Cary Grant, is a sparkling testament to what makes the pairing one of Hollywood’s most iconic. With the film, George Cukor, who also directed Grant and...
The Daily
Jan 10, 2020 — How do movies work? It’s a question that seems to have been on more than a few minds this week.
The Daily
Dec 17, 2019 — She worked with Rivette, Fassbinder, and Visconti, but of course, any discussion of her illustrious career will always circle back to Godard.
Dec 11, 2019 — One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...
The Daily
Dec 6, 2019 — Serge Daney on Sergei Parajanov, James Quandt on Robert Bresson, and Cristina Álvarez López and Adrian Martin on Maurice Pialat are among this week’s highlights.
Dec 6, 2019 — Among the many enduring virtues of The Story of Temple Drake—a pre-Code William Faulkner adaptation whose sensational depiction of a hopelessly fallen world, rife with sexual violence and other forms of malice, scandalized audiences upon its release in 1933—is its...
Nov 26, 2019 — In a key scene of the beloved Bette Davis film Now, Voyager (1942), the heroine goes to dinner on a cruise ship wearing a cloak decorated with fritillaries. A fritillary is a spangled butterfly, and the scene signals that Charlotte...