Jul 23, 2024 Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 23, 2024 Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.

Jul 22, 2024 RaMell Ross’s Nickel Boys will open the NYFF, and TIFF and Venice Critics’ Week have unveiled lineups.

Jul 18, 2024 A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.

Jul 17, 2024 Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.

Jul 16, 2024 In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.

Japan Cuts 2024

The Daily

Jul 10, 2024 This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.

Jul 2, 2024 Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.

Jun 25, 2024 A collection on the Criterion Channel charts the evolution of the synthesizer—from its infancy in the 1950s to its maturity in the 1980s—and its transformative impact on film music.

Jun 24, 2024 Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.

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