May 20, 2017 “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...

May 20, 2017 “Custody of a white horse is one of several bones of contention between Bulgarian locals and visiting German laborers in Valeska Grisebach’s Western, a dispute that takes on the most classic symbolic dimension of the traditional oater,” begins Guy Lodge...

May 19, 2017 Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

May 18, 2017 Before turning to events happening in various cities, let’s note that the Seventh Art Stand carries on through the end of the month. It’s “a nationwide screening and discussion series presented by 50+ theaters, museums, and community centers in more...

Apr 13, 2017 Repertory Picks On Sunday evening, as part of the monthlong series In Transit: Refugees on Film, the UCLA Film & Television Archive will screen a 35 mm print of Jean-Pierre and Luc Dardenne’s La promesse (1996). Set in the filmmakers’...

Apr 7, 2017 Filmmaker Brock DeShane pays heartfelt tribute to Jack H. Harris, the late cult-horror maestro who produced low-budget sensations like The Blob and Equinox.

Apr 6, 2017 Repertory PicksOn Sunday evening, Alfonso Cuarón’s sultry road movie Y tu mamá también (2001) will roll into the Wilmette Theatre in Wilmette, Illinois. After helming two Hollywood productions that focused on the process of growing up—an imaginative adaptation of the...

Mar 29, 2017 Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Mar 28, 2017 In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Mar 1, 2017 In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

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