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Time to Love

Sep 3, 2007 Jim Jarmusch is a difficult director because he works from the frontiers. What does it mean to be a “frontier” director in the film world today?It means a clear refusal, for ethical and aesthetic reasons, to be part of the...

Sep 3, 2007 Iwas a cab driver once myself (in Los Angeles, in the mid-1970s), and I’ve been sensitive ever since to how the profession is portrayed on the screen. As it happened, I was driving a cab when Taxi Driver came out,...

Jul 9, 2007 Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.

May 21, 2007 Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

Feb 19, 2007 For a director whose vision is so frequently called pessimistic, Mikio Naruse’s drama exhibits a lightness of touch, deft and coolly understated, like its cocktail jazz score.

Jan 16, 2007 The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

Nov 28, 2006 Paris. We landed here yesterday at midday, and after a quick stop at our hotel, executive producer Fumiko Takagi and I headed straight to the offices of TF1 and Canal+ in Issy-les-Moulineaux for meetings. Issy is not what you think...

Oct 23, 2006 Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtu­osity.

Aug 14, 2006 “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....

Aug 14, 2006 The Bakery Girl of Monceau and Suzanne’s Career are not Eric Rohmer’s first films. By 1963, he had made several shorts and one feature, Le signe du Lion. Yet these two short works—with their meticulously charted Paris locations; their semidocumentary...

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