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In America

Underground on Top

The Daily

Jun 21, 2024 We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Jun 21, 2024 An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Jun 12, 2024 This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Jun 11, 2024 A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Jun 10, 2024 Sam Fragoso gets Linklater talking about the evolution of his approach to making films from Slacker through Hit Man.

May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

May 23, 2024 At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.

May 16, 2024 Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 10, 2024 Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.

Apr 29, 2024 From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.

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