The Criterion Collection
Essays
Dec 12, 2012 — Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.
Oct 23, 2012 — After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.
Short Takes
Oct 16, 2012 — Hiroshi Teshigahara’s Antonio Gaudí is one of the most sensual films ever made—and there are hardly any people in it. In this poetic documentary—available to stream for free this week on Hulu as part of our Cityscapes festival—the Japanese avant-gardist responsible for the...
Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.
Short Takes
Aug 27, 2012 — There are disturbing movie scenes, and then there are disturbing movie scenes. The following, from Norman Mailer’s Maidstone, is not for the faint of heart. The 1970 film is the ultimate example of Mailer’s cinematic philosophy, which held that a...
Features
Jul 19, 2012 — I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...
Production Notes
Jul 18, 2012 — John Lurie reminisces about making Down by Law and Fishing with John.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
Apr 24, 2012 — Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....