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In girum imus nocte et consumimur igni

Jul 21, 2017 Tarkovsky lover Geoff Dyer discusses the visual and sonic elements of one of the most haunting sequences in Stalker.

A voracious cinephile, the British director shared his thoughts on some of his favorite titles in the collection, noting his love for the camera movements in Grey Gardens and the terror he felt watching Things to Come as a child.

Dec 31, 2016 Take a guess at what’s coming in 2017!

The actor and filmmaker came in to work on a supplement for our The Squid and the Whale edition. We learned he’s a big fan of the Robert Downey Sr. Eclipse series.

Oct 10, 2016 Filmed over the course of twelve years, Richard Linklater’s coming-of-age portrait is an astonishing experiment in cinematic time.

The director and the subject of Author: The JT LeRoy Story take a trip to the closet, where Albert sheds some more light on the saga chronicled in their film and graces us with a song.

The incomparable French icon visited during a rare visit to New York and made a stop in our film closet to reminisce about her groundbreaking work with Jean-Luc Godard, acting for Agnès Varda in Cléo from 5 to 7, her...

During the Norwegian filmmaker’s visit to the Criterion closet, he excitedly expounded upon his wide-ranging selections, from Paul Schrader’s Mishima: A Life in Four Chapters to the Six Moral Tales of Eric Rohmer.

The Oscar-winning director of Amy talks about how Do the Right Thing became a major influence on his work, the overwhelming tension of an infamous scene in Code Unknown, and his love of Ken Loach’s early work.

Jan 28, 2016 The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.

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