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Every Day

Mar 23, 2010 In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.

Salò

Essays

Jul 21, 1998 On November 2, 1975, the Italian director Pier Paolo Pasolini was found dead—murdered, police said, by a young male prostitute. However lurid its details (the Roman tabloids ran huge front-page photos of the disfigured corpse), his death struck many as...

Jul 27, 2026 Some read Thomson’s new book as an attack on cinema; others argue that they’re missing the point.

Jun 4, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful visits to cities across the United States and Canada. For our next stop, we are headed back to Los Angeles for...

Jun 2, 2026 Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.

Jun 1, 2026 The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.

May 27, 2026 Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

May 12, 2026 Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

Apr 27, 2026 The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.

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