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Can-Can

Mar 8, 2016 Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.

Mar 4, 2016 Over the past half century, production designer Jack Fisk has created some of cinema’s most memorable on-screen worlds—from the farmlands of early-twentieth-century Texas to the byways of contemporary Los Angeles.

Mar 3, 2016 By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

Feb 24, 2016 Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Feb 22, 2016 Although he wasn’t the first child actor to gain recognition, Jackie Coogan outstripped all his peers in popularity when, at the tender age of six, he starred opposite Charlie Chaplin in the 1921 silent masterpiece The Kid. He delivers a...

Feb 19, 2016 The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.

Feb 18, 2016 The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.

Feb 16, 2016 In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Godard in Fragments

Visual Analysis

Feb 10, 2016 Regular Criterion Collection contributor :: kogonada explores the innovative cinematic lexicon Godard developed in the fifteen features he made between 1960 and 1967.

Feb 9, 2016 Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

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