The Criterion Collection
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Essays
Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.
Jan 16, 2013 — Both sparkling and suspenseful, Alfred Hitchcock’s benchmark thriller is the perfect getaway, and it set the scene for much of the master’s later work.
Essays
Dec 12, 2012 — Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.
Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.
Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...
May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.