The Criterion Collection
Oct 22, 2019 — Muhammad Ali was thirty-two years old when he arrived in Kinshasa, Zaire, in 1974 to fight for the heavyweight championship of the world. Thirty-two is not prohibitively old for a boxer in the heavyweight division. (As I type, the most...
Oct 21, 2019 — Songbook If you weren’t a devotee of the Cantopop world in the early 1990s, the casting of Faye Wong in Wong Kar-wai’s Chungking Express (1994) may not have caught your attention. Starring in her first major role, the singer looked...
The Daily
Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Features
Sep 4, 2019 — With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
The Daily
Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”