The Criterion Collection
Essays
Apr 25, 2011 — Brian De Palma brought hip, freewheeling funkiness to the American film renaissance of the late 1960s and early 1970s. Wised-up, cinema-savvy audiences across the country knew to seek out his movies for their scruffy wit, showmanship, and aesthetic innovation, not...
Mar 14, 2005 — The first time I put an eye behind a camera (a 16mm Bell & Howell), it was in a lunatic asylum. The head of the institution was a great big hulk of a man with a face so ravaged by...
Essays
May 15, 2000 — Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...
Apr 19, 2022 — Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
The Daily
Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.
Jun 2, 2016 — Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.
Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.
Nov 13, 2012 — With this frenetic cinematic fresco, Pasolini began his Trilogy of Life and its forays into a world as yet unspoiled by capitalism.
The Daily
Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.