The Two Sides

Nov 19, 1989 — Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...

Jun 20, 2025 — Back on screens: Uli Edel, Charles Burnett, Jane Austen, Mikio Naruse, and Hiroshi Shimizu.

Jul 13, 2017 — “The spirit of Seijun Suzuki, patron saint of avant-garde Japanese filmmakers, presides over the Japan Society's 11th annual Japan Cuts program, a consistently exciting survey of innovative Nipponese cinema,” writes Simon Abrams at the top of his preview for RogerEbert.com....

Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...

Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.

Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.

May 27, 2026 — This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.

Nov 18, 2025 — Though the first two decades of the Iranian filmmaker’s career have long been underappreciated, this fertile period yielded philosophical and restlessly innovative works that reinvigorated both documentary and narrative-fiction cinema.

May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.