The Criterion Collection
Essays
Jun 23, 2003 — One of the most unusual features of Italian cinema of the late ’50s and ’60s is the way that it affords us multiple perspectives on the same event, namely the economic boom following the postwar recovery. Where the directors of...
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
Jun 15, 2009 — With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.
Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.
Feb 28, 2023 — One of the towering figures of postwar French literature, Marguerite Duras was also an innovative filmmaker whose rarefied cinematic style dared audiences to see less and listen more.
The Daily
Jan 27, 2023 — This week brings a new issue of Seen, featuring Cauleen Smith; a conversation with Jia Zhangke; and a deep dive into Twin Peaks: The Return.
The Daily
May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).