The Criterion Collection
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...
Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...
Oct 18, 2009 — So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...
Jun 16, 2008 — Claude Sautet occupies a unique place in French cinema. Although he directed some of the biggest hits of the seventies and worked with some of the biggest stars, few critics considered him an “auteur” in his lifetime. Paradoxically, it was...
The Daily
May 2, 2024 — The series spotlights rarely seen films by Shirley Clarke, Marie Menken, Bette Gordon, Jack Smith, and dozens more.
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.
Feb 10, 2015 — The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.
May 29, 2012 — A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.