The Criterion Collection
Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in Swedish Film—in which Widerberg...
The Daily
Jul 19, 2023 — This month we’re reading Pasolini, Chris Marker, Christian Petzold, Lorenza Mazzetti, Derek Jarman, and more.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
Jan 14, 2021 — Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...
The Daily
Oct 6, 2020 — Critics split over a chase movie drenched in lush ambiance.
Aug 28, 2020 — “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...
Essays
May 12, 2020 — In the early 1950s, director John Sturges, then under contract at MGM, read a condensed version of Paul Brickhill’s memoir The Great Escape, which details the mass escape of downed fighter pilots from the German prisoner-of-war camp Stalag Luft III...
Dec 3, 2019 — As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...
Nov 26, 2019 — In a key scene of the beloved Bette Davis film Now, Voyager (1942), the heroine goes to dinner on a cruise ship wearing a cloak decorated with fritillaries. A fritillary is a spangled butterfly, and the scene signals that Charlotte...
The Daily
Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.