The Criterion Collection
Apr 17, 2019 — Dark Passages The old saying that there are no small parts, only small actors, has surely caused thespians of all sizes to roll their eyes and gnash their teeth. But there are performances that stick in the mind forever with...
Jul 24, 2018 — A feast of sumptuous color and cinematic imagination, Powell and Pressburger’s postwar masterpiece is also a powerful reckoning with recent history.
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Essays
Jan 26, 2010 — Roberto Rossellini’s second postwar film was released in the United States as Paisan, and one can understand why the distributors wanted to use a title familiar to many Americans as meaning “friend” or “countryman” for a work that is at...
The Daily
Mar 20, 2026 — This week: Thierry Frémaux on the Lumière brothers, Lynne Littman and Jane Alexander on Testament, and Christian Petzold on Hitchcock.
On the Channel
Feb 18, 2026 — Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.
Feb 12, 2024 — Bob Young worked with Michael Roemer on Nothing but a Man and directed ¡Alambrista! and The Ballad of Gregorio Cortez.
Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.
On the Channel
Jan 1, 2022 — Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.
Essays
Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.