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The Clovehitch Killer

Sep 18, 2000 Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.

Mexico Noir

The Daily

Mar 24, 2026 Novelist Silvia Moreno-Garcia programs a series of films by Roberto Gavaldón, Julio Bracho, Emilio Fernández, and Luis Buñuel.

Dec 17, 2020 The year 1999 was several months old when I entered Los Guajolotes, a restaurant that, like so many others in Mexico City, has now disappeared. I was walking to my table when a person who appeared to live on the streets...

Apr 2, 2018 Khalik Allah’s Black Mother premiered at last month’s True/False Film Fest, saw its international premiere at CPH:DOX in Copenhagen, has just screened in Paris at the fortieth Cinéma du réel, and screens this week at New Directors/New Films in New...

Dec 21, 2017 New York. “One of the great films about childhood and life during wartime, Claude Berri’s piquant, piercing debut, The Two of Us (1967), also stands—despite its highly personal and historic milieu—as a study of a perennial generational conflict,” writes Alan...

Sep 17, 2017 Michael Pearce’s debut feature, Beast, is a “multi-layered, complex account of a fatal attraction between two complicated and fragile souls, Moll (Jessie Buckley) and Pascal (Johnny Flynn),” writes Kaleem Aftab for Cineuropa. “The action takes place on Jersey, where the...

’77

The Daily

Aug 2, 2017 “Forty years ago,” begins Earl Douglas at the Interrobang, “the country was still reeling from Vietnam and Watergate, Elvis died, punk and disco took full flight, and New York City dealt with record heat, a blackout, a financial crisis and...

We have a killer selection of Japanese gangster films—or yakuza pictures—all from the genre’s heyday in the fifties and sixties.

The writer, director, and producer praises Black Orpheus and Killer of Sheep as his favorite works of Black cinema, talks about the influence of Risky Business on his film House Party, and admires the depth of Bruce Lee’s performance in...

May 14, 2025 The festival presents new restorations of films by Chantal Akerman, Charles Burnett, John Ford, and James Ivory.

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