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The Cell

Lucrecia Martel

The Daily

Apr 10, 2018 In the run-up to the release of Zama on Friday, the Film Society of Lincoln Center in New York is presenting a retrospective of work by Lucrecia Martel. Starting tonight and on through Friday, Martel will be there to either...

London 2017

The Daily

Oct 4, 2017 Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...

Venice 2017 Index

The Daily

Sep 6, 2017 Here’s an overview of what the critics have been saying about the films screening at the seventy-fourth edition of the Venice International Film Festival, running from August 30 through September 9, 2017. Links from the titles will take you to...

Sep 5, 2017 “Apparently the word refers to an actual traumatic state caused by getting lost in a forest,” begins Jonathan Romney in Screen. “However, if the title Woodshock leads you to expect a horror movie about the results of bad acid at...

Aug 9, 2017 New York. “Though Fire Island is the movie’s very recognizable locale, it is filmed in arcadianly remote aspects of sunlight, shade and water, and narrated simply on the solemn, picturesque, stark level of myth. . . . The world as...

Aug 25, 2015 In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Jul 7, 2015 Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

Apr 29, 2014 One legendary American director pays tribute to another.

Mar 26, 2013 Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.

Jan 16, 2007 The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

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