The Criterion Collection
Apr 8, 2021 — The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop...
Feb 12, 2020 — If you were born in Mexico City in the second half of the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...
The Daily
Feb 1, 2019 — Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...
Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...
The Daily
Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.
The Daily
Sep 9, 2020 — The in-demand performer stars in two films in competition, Kornél Mundruczó’s Pieces of a Woman and Mona Fastvold’s The World to Come.
The Daily
Sep 18, 2019 — Adam Sandler plays a jeweler addicted to risk in the brothers’ new exhilarating—and exhausting—new film.
Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”
Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.