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The American Friend

Jan 20, 2016 Earlier this month, we lost Vilmos Zsigmond, the venerated Hungarian cinematographer. Not only was he one of the greatest directors of photography in the world—known for his influential work with Robert Altman, Steven Spielberg, and Brian De Palma, among others—Zsigmond...

Feb 24, 2015 Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

Dec 10, 2014 Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Oct 16, 2014 This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jul 17, 2014 When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...

Jun 25, 2014 Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...

Jun 19, 2014 PerformancesTime has added some latter-day ironies to All That Heaven Allows, and not just the revelation that its star Rock Hudson was gay. There’s also the political career of Ronald Reagan, the ex-husband of Hudson’s costar, Jane Wyman—built on the...

Dec 11, 2013 This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.

Dec 10, 2013 Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

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