The Criterion Collection
Jan 19, 2017 — Rainer Werner Fassbinder plays a working-class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.
Short Takes
Nov 30, 2016 — Today, we’re celebrating the seventy-third birthday of one of American cinema’s most lyrical and enigmatic storytellers. Over the course of more than four decades, Terrence Malick has established a distinctive aesthetic that juxtaposes the majestic beauty of nature with the...
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
Short Takes
Nov 18, 2016 — Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
Jun 17, 2016 — The late 1920s and early 1930s were wonderfully productive years for Jean Renoir and Michel Simon, a simpatico director-actor duo who produced four films together: Tire au flanc (which gave Simon his first starring role), On purge bébé, La chienne,...
Short Takes
Mar 10, 2016 — From its very earliest years, the cinema has offered a uniquely powerful tool for artists seeking to give new life to great works of literature. The creations of literary icons have served as the inspiration for some of film’s most...
Dec 9, 2015 — With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
Features
May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...