Taken

Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.

Jul 22, 2022 — Films by Jordon Peele, Ethan Hawke, and Lucile Hadžihalilović arrive along with a series tracing the path of the Method.

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jul 5, 2022 — A Reverse Shot roundtable and the new issue of Cinema Scope delve into Crimes of the Future.

Jul 1, 2022 — Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.

Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.

Jun 29, 2022 — “It’s less about breaking the rules than just being able to construct new rules,” says the artist and filmmaker.

Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

Jun 27, 2022 — A retrospective in Los Angeles celebrates the publication of the director’s first novel.

Jun 8, 2022 — The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.