The Criterion Collection
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.
May 23, 2023 — In one of her most moving explorations of youth, Céline Sciamma offers the gently radical and reparative chance for a mother and child to share a perspective.
May 22, 2023 — Blending a tragic love story and a terrifying, slow-motion genocide, Killers has premiered out of competition in Cannes.
May 19, 2023 — In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history.
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.
The Daily
May 8, 2023 — A new film by the late director is the clear highlight of this year’s Cannes Classics program.
The Daily
May 5, 2023 — Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.
Apr 28, 2023 — One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.
Apr 27, 2023 — Over the course of her four-decade career, the pioneering Indian documentary filmmaker has demonstrated the important roles that joy and pleasure play in the process of political change.
Apr 25, 2023 — Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.