Sing

May 9, 2004 — With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.

Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...

Sep 8, 1998 — In David Lean’s Summertime, in which Rossano Brazzi seduces Katharine Hepburn—an aging, repressed Ohio “working girl” on vacation in Venice—the Continental lover reached his pinnacle and approached his end. In the next decade, he would be embodied by Marcello Mastroianni,...

Sep 22, 1997 — The English Patient was the ?rst book of Michael Ondaatje’s I had read, and I thought it was remarkable.Two weeks after ?nishing the novel, Anthony Minghella telephoned from London and asked, “How could we do this as a movie?” Being...

Sep 22, 1997 — I ?rst read The English Patient in one gulp, sitting in a room on 77th and Columbus the morning after I’d ?nished a sweltering summer of ?lming in New York. When I put the book down, it was dark, and...

Nov 13, 1991 — Richard Lester’s Help! was the first of a new kind of rock-and-roll movie which altered the shape, face, and form of rock music. Before Help!, most of the rock-and-roll genre movies were simple, self contained films conceived in the narrowest...

Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...

The performer and author sings (literally) the praises of the Tootsie score, talks about Barbra Streisand as a “North Star for anyone unconventional trying to make it in show business,” and shares the moving experience of watching My Beautiful Laundrette...

The singer-songwriter reminisces about the pleasure of discovering Czechoslovak New Wave films on trips to the video store, shares why Moonstruck ignited her Nicolas Cage fandom, and praises the use of classical music in The Piano Teacher.