Simpsley

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Mar 8, 2024 — Though the Taiwanese director began working in commercial genres, even his earliest mainstream films contain the seeds of the inimitable style that would establish him as one of the world’s most important filmmakers.

Mar 5, 2024 — Friends and admirers pay tribute to his rigorous scholarship, his boundless enthusiasm, and his warm generosity.

Feb 27, 2024 — Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Feb 12, 2024 — Bob Young worked with Michael Roemer on Nothing but a Man and directed ¡Alambrista! and The Ballad of Gregorio Cortez.

Feb 7, 2024 — Metrograph presents three of Gomis’s own features along with two he’s chosen for the weekend series.

Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.