The Criterion Collection
Essays
Mar 15, 2004 — This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
Essays
Aug 4, 2003 — Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.
Essays
Sep 18, 2000 — Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.
Essays
Aug 28, 2000 — The acclaimed humorist’s work sees the range of human folly sans romance and piety.
Essays
Aug 28, 2000 — Good Morning is the wildcard in Yasujiro Ozu’s career, the film that looks least like all his others, and one of the few where he sees the world through childrens’ eyes rather than those of an old man.For many years,...
Essays
Oct 19, 1998 — Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints...