Mar 15, 2004 This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.

Sep 29, 2003 Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...

Aug 4, 2003 Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.

Sep 18, 2000 Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.

W. C. Fields

Essays

Aug 28, 2000 The acclaimed humorist’s work sees the range of human folly sans romance and piety.

Good Morning

Essays

Aug 28, 2000 Good Morning is the wildcard in Yasujiro Ozu’s career, the film that looks least like all his others, and one of the few where he sees the world through childrens’ eyes rather than those of an old man.For many years,...

Oct 19, 1998 Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints...

Salò

Essays

Jul 21, 1998 On November 2, 1975, the Italian director Pier Paolo Pasolini was found dead—murdered, police said, by a young male prostitute. However lurid its details (the Roman tabloids ran huge front-page photos of the disfigured corpse), his death struck many as...

Current Page
28
of 28

You have no items in your shopping cart