Back To Search

On Blue

Aug 28, 2012 The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.

Dukie

Features

Feb 23, 2012 Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

Nov 15, 2011 The thematic ideas and inspirations that sparked Three Colors: Blue (1993), though typically ambitious in scope, seem sketchy when compared to the intense experience of watching this exquisite film. We know that Krzysztof Kieślowski’s Three Colors trilogy corresponds to the...

Nov 14, 2011 In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological consequences of Europe’s reunification are still unfolding, there was an immediate...

Oct 25, 2011 The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.

Oct 25, 2011 The central theme of the film is that the life force inherent in this music is always with us, but you are an idiot if you want to turn on the wayback machine and relive these days.

Apr 11, 2011 I believe in my world. I believe in brotherhood and everything that goes with it. Like honor, loyalty, and friendship. The reason why Le cercle rouge is a classic gangster film is because it embodies this kind of romanticism. For...

Christmas is not always the most wonderful time of the year. Here is the melancholy side of the holiday.

Aug 24, 2010 T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...

Jan 21, 2008 The feminist politics of Agnès Varda’s marital drama were ahead of their time, but it is on the level of form that the film is so unsettling and calls up contradictory interpretations.

Current Page
28
of 89

You have no items in your shopping cart