OTHER CREDITS

Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-­five­-year career as a writer­-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.

Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.

Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.

Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.

Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.

Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.