Modern Times

Nov 29, 2021 — The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”

Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Nov 18, 2021 — Brief notes on films arriving from Mike Mills, Tatiana Huezo, Jane Campion, Robert Greene, and Radu Jude.

Nov 12, 2021 — A new podcast delves into the life and work of Chantal Akerman, and Reverse Shot opens a new symposium.

Nov 4, 2021 — So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Nov 2, 2021 — Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.

Oct 26, 2021 — Considered his first directly political film, Satyajit Ray’s 1960 masterpiece explores how the denial of self-knowledge, a void neither religion nor Western rationalism can fill, takes a toll on women in Indian society.

Oct 20, 2021 — The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.

Oct 13, 2021 — Several of the season’s best-reviewed films arrive in the Windy City.

Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.