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Like It Never Was Before

Feb 27, 2018 Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.

Dec 12, 2017 “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Weinstein and Co.

The Daily

Oct 12, 2017 Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...

Aug 27, 2017 Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...

Jun 27, 2017 Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.

Jul 6, 2016 The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.

Jun 29, 2016 In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

Jun 28, 2016 When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...

May 6, 2016 The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.

Sep 26, 2013 Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.

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