It's Only the End of the World

Aug 23, 2017 — We’re opening today’s entry with the “goings on” items because today’s must-read comes from Bilge Ebiri in the Village Voice. He assures us that he’s “not exaggerating when I say that I’ve been waiting most of my life to see...

Jun 27, 2017 — Let’s break the pattern a bit and open today’s entry with the recommended listening first. Karina Longworth’s outstanding podcast You Must Remember This has just returned from a well-deserved hiatus with a new series, “Jean and Jane.” As in Seberg...

May 24, 2017 — “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...

May 18, 2017 — Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...

Mar 25, 2025 — The Cinémathèque presents six shady tales from the 1970s.

Apr 29, 2021 — Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.

Dec 6, 2017 — David Lynch and Mark Frost’s Twin Peaks: The Return has not only been voted up to the #2 slot in Sight & Sound’s “best films of 2017” poll of 188 international critics and curators, it’s also come out on the...

Sep 6, 2017 — When Dee Rees’s Mudbound premiered at Sundance, I gathered a first round of reviews, beginning with Justin Chang’s for the Los Angeles Times: “Adapted from Hillary Jordan’s novel, Mudbound sketches a vivid, dirt-under-the-nails panorama of 1940s Mississippi farm country, centered...

Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

May 18, 2017 — “Todd Haynes’s films, intellectually rigorous and often profoundly moving, are fractured stories in which alienated, beautiful characters try to find love (or a certain likeness) in the delicate folds of real life,” begins David Ehrlich at IndieWire. “All of this...