Ingmar Bergman

Mar 4, 2019 — Working with Demy, Varda, Godard, Bresson, Resnais, and Pialat, the producer was a formidable force in French cinema.

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Sep 5, 2018 — Training its patient gaze on the vicissitudes of domestic life, Ingmar Bergman’s Scenes from a Marriage is a showcase for high-wire acting, requiring its two stars to chart a winding trajectory from love to betrayal to reconciliation. By the time shooting...

Aug 2, 2018 — The Swedish master finds desire and despair in the fashion world in a key transitional film from 1955.

Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.

Jun 8, 2018 — Both Italian directors broke from neorealism to head off in entirely different directions.

Apr 18, 2018 — First up, some festival news. Joining Cate Blanchett, who’ll be presiding over the Jury of the seventy-first Cannes Film Festival (May 8 through 19), will be Chang Chen, who made his acting debut in Edward Yang’s A Brighter Summer Day...

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...