The Criterion Collection
Jul 15, 2022 — In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.
The Daily
May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
Jul 3, 2020 — One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...
Features
Jun 22, 2020 — Songbook At first it’s just one of many Fellini-esque dances: a band switches to an upbeat tune, Nino Rota’s “Caracalla’s (La Bersagliera),” and a previously dour party becomes an impromptu circle of ecstatic movement. Though overshadowed in La dolce vita...
The Daily
Jun 20, 2017 — “Bertrand Tavernier joins a growing list of filmmakers who've made what amounts to an epic video essay with My Journey Through French Cinema, a three-hour-plus leap into notable French filmmaking from roughly 1930 to 1980,” writes Clayton Dillard at Slant....
Jul 19, 2016 — Time is both inescapable and irretrievable in Alain Resnais’s boldly disorienting masterpiece, which stars Delphine Seyrig as a widow haunted by her memories of World War II.
Oct 15, 2015 — Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.
Nov 5, 2014 — A review of the American auteur’s posthumously published novel
Dec 3, 2013 — This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.