The Criterion Collection
Sep 3, 2007 — It came from nowhere, it’s always been here—or so Stranger Than Paradise might seem.Jim Jarmusch had completed his first feature, Permanent Vacation, in 1980 and spent the next four years working on his second. Screened a few times as a...
Sep 3, 2007 — Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...
Dec 13, 2006 — Well, it’s not exactly writer’s block, but it’s related. I’ve been trying to get this blog entry posted since Tuesday afternoon, but there’s always something that takes me away from the task at hand. I’m procrastinating, and I know why:...
Essays
Sep 18, 2006 — Nobuo Nakagawa’s legendary, genre-busting Japanese masterpiece explores the infernal desires that tempt us during our mortal existence—and the afterlife agonies awaiting those who succumb.
Aug 14, 2006 — In terms of consistency of both the content and form of his films, Eric Rohmer is without a doubt one of the most distinctive auteurs in the history of cinema. As with the work of Yasujiro Ozu, within minutes—seconds, even—of...
Essays
Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.
Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.
Essays
Jul 19, 2004 — In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Essays
Aug 4, 2003 — Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.