The Criterion Collection
Essays
Jul 9, 2001 — With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...
Essays
Jun 18, 2001 — Pent-up, unfulfilled sexuality spills onto the screen in Douglas Sirk’s sumptuous melodrama.
Essays
Apr 23, 2001 — Released in late 1938, Alexander Nevsky was not only the first sound film to be directed by Sergei Eisenstein, but the director’s political comeback as well. This most famous of Soviet artists had not completed a movie since The Old...
Essays
Jan 29, 2001 — In Michael Powell and Emeric Pressburger’s drama, the characters abandon their twin faiths, in God and the British Empire, and turn themselves over to more ancient and dangerous powers.
Essays
Feb 1, 1999 — After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...
Essays
Oct 12, 1987 — For more than forty years, The Seventh Seal has been a benchmark by which all other great foreign films are judged. It launched the international career of its director, Ingmar Bergman, and made a star of its 27-year-old leading actor,...
On the Channel
Aug 24, 2017 — Professor Jeff Smith illustrates how, under the constraints of a low budget and compressed shooting schedule, Rainer Werner Fassbinder arrived at a minimalist approach that blended seamlessly with his subject matter.
Essays
Jun 25, 1989 — A thoroughgoing investigation of the terms “bravery” and “cowardice,” Stanley Kubrick’s early work offers far more than a mere “anti-war” statement, paring with almost surgical precision to the heart of the fear, hubris and mendacity that keep the war machine...
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....