The Criterion Collection
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
The Daily
Jun 30, 2017 — “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...
Feb 3, 2017 — Over on the Criterion Channel, for Super Bowl weekend, we’re showing the first football movie ever made, Harold Lloyd’s crackerjack comedy The Freshman (1925), and the first rugby-football movie ever made, Lindsay Anderson’s heart-pounding drama This Sporting Life (1963). And...
May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...
The Daily
May 31, 2019 — Chinese poets and American and English novelists figure prominently in this week’s round.
Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.
The Daily
Feb 16, 2024 — This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.
Interviews
Jan 9, 2019 — There’s a certain tall-tale quality to Sandi Tan’s life. When the California-based filmmaker was growing up in Singapore in the 1980s and ’90s, movies were a powerful way of experiencing the world beyond her small native country, a place she...
May 30, 2017 — In his brilliantly inscrutable debut, Apichatpong Weerasethakul blends documentary authenticity with wild flights of imagination.
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.