The Criterion Collection
Jun 9, 2020 — A couple walk down a cacophonous street in New York. They’re bundled in coats—wrapped up in their own worlds. She is incandescent with joy, talking about her cadre of close friends and their regular meetings. He wears a resigned face,...
The Daily
Mar 17, 2020 — The economic impact of the coronavirus crisis is immediate and harsh, but the lessons to be learned have been there for the taking for decades.
Jan 31, 2020 — The abortion drama slated for the Berlinale’s competition is being met with strong reviews at Sundance.
Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.
Nov 21, 2017 — Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.
The Daily
May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...
Short Takes
Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.
Aug 9, 2016 — The acclaimed writer-director discusses his early days growing up in New York, his transition from acting to screenwriting, and his unique creative process.
Interviews
Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.
Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.