The Criterion Collection
Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.
The Daily
Mar 29, 2022 — The American Cinematheque in Los Angeles presents a dozen highlights from an astonishing career.
Mar 20, 2018 — The careers of three iconic German artists—Bertolt Brecht, Rainer Werner Fassbinder, and Volker Schlöndorff—converged in this unflinching portrait of destructive genius.
Dec 14, 2021 — In 1968, soon after he graduated from the Film and Television Institute of India, Mani Kaul made an arresting short titled Forms and Designs. It observes artisans at work across the country, some swimming alone against the tide of mass...
Jan 26, 2021 — I stumbled onto Will Niava’s debut short film, Zoo, via a still I saw online: a close-up of a young man’s face under blue neon, framed by cigarette smoke. Curious about this striking image, I tracked down the film and...
Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.
Feb 19, 2015 — The scholar and producer talks about his experiences on the set of a film that changed his life.
Jul 11, 2005 — The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.
The Daily
Feb 16, 2022 — Among the notable titles competing this year are new films from Sho Miyake, Gastón Solnicki, and Ashley McKenzie.
The Daily
Mar 19, 2018 — New York. On Friday and Saturday, Anthology Film Archives pairs Forough Farrokhzad’s The House Is Black (1962) and Abbas Kiarostami’s The Wind Will Carry Us (1999). As Jeva Lange notes at Screen Slate, House “was shot at a leper colony...