† His Return

Sep 12, 2022 — Laura Poitras, Alice Diop, Luca Guadagnino, and Martin McDonagh win top awards in Venice.

May 23, 2022 — The Romanian director maps varied strains of racism coursing through a tiny Transylvanian town.

Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Jan 4, 2022 — A thread runs from the Truffaut season in the UK through the Rivette retrospective in Paris to the first feature directed by Juliet Berto.

Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Aug 30, 2021 — An electrifying voice in American independent cinema, the filmmaker, artist, and DJ Ephraim Asili believes that moving images can revolutionize our perception of the world. His body of work attests to this conviction. Since he began making films more than...

Apr 28, 2021 — Channel Calendars Next month, the Criterion Channel celebrates independent, pathbreaking, and underappreciated artists. We’ve got a retrospective devoted to Gena Rowlands (pictured), the indie-film legend whose acting blurred the line between life and performance; a centenary tribute to the great...

Dec 1, 2020 — The brochure for the 1961 Lincoln Continental line makes the six-seater luxury sedans look almost dainty. They come in pretty pastels: a cream called Sultana White, a fizzy yellow known as Sunburst, an ice-cream-parlor blue-green dubbed Turquoise Mist. A gloved...

Oct 2, 2020 — This wild week we’re celebrating William Greaves, watching Denis Lavant dance, and listening to Léonce-Henry Burel’s juicy stories about Robert Bresson.

Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...