‘T was een April

Sep 28, 2017 — “If you’ve never seen The Last Detail, Hal Ashby’s 1973 comedy-drama about three Navy sailors on a debauched and ultimately tragic road trip, there are several reasons to rectify that,” begins Dana Stevens at Slate. “There’s a devilishly charismatic performance...

Sep 27, 2017 — The fifty-fifth edition of the New York Film Festival opens tomorrow and runs through October 15. In his latest “Cinema ’67 Revisited” column for Film Comment, Mark Harris looks back at the fifth edition, noting that “Susan Sontag began her...

Sep 20, 2017 — New York. “Like a modern character from Crete’s ancient Minoan culture, trailblazer artist Joan Jonas weaves symbols and media to transfigure feminist and psychological themes,” writes Mónica Savirón for BOMB. “Her work juxtaposes sculpture, painting, film, video, and performance as...

Sep 15, 2017 — Our first order of business here is to catch up with an item or two you’ve most likely already heard enough about. But there’s no getting around at least a mention of the replacement of Colin Trevorrow as director of...

Sep 11, 2017 — “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...

Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Sep 7, 2017 — “A central tenet of feminist film theory holds that the havoc wreaked on the bodies of women propels narrative storytelling,” writes Holly Willis in the new issue of Film Comment. “The new film by Jean-Pierre and Luc Dardenne, The Unknown...

Sep 2, 2017 — Remembering Jerry Lewis in a piece for the Guardian, Martin Scorsese recalls working with him on King of Comedy: “Jerry Langford was an uncomfortable role for him to play, because he was skirting the edges of his own life in...

Sep 1, 2017 — “British filmmaker Andrew Haigh (Weekend, 45 Years) hits the American highway for this touching, if slightly underwhelming, tale of a troubled boy who strikes up a rapport with an ailing racehorse called Lean on Pete,” begins Time Out’s Dave Calhoun....

Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...