The Criterion Collection
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
The Daily
Apr 5, 2022 — A series at Vulture and Karina Longworth’s You Must Remember This revisit the erotic movies of the 1980s and ’90s.
The Daily
Apr 4, 2022 — Nicholas Ray’s melodrama is both a critique of 1950s America and a straight-up horror movie.
The Daily
Apr 1, 2022 — This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.
The Daily
Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.
The Daily
Mar 24, 2022 — Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.
The Daily
Mar 22, 2022 — This month’s roundup opens with news of forthcoming titles on the work of Pasolini, Kubrick, Sofia Coppola, and Bong Joon Ho.
The Daily
Mar 21, 2022 — Weeks ahead of the lineup announcement, trade publications are making educated guesses.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
The Daily
Mar 11, 2022 — This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.