The Criterion Collection
Essays
Feb 18, 2020 — In what was no doubt an appeal to subtitle-averse audiences, advertisements for the U.S. release of Teorema (1968) trumpeted, “There are only 923 words spoken in Teorema—but it says everything!” A meager few of those utterances are expended in an...
Feb 14, 2020 — One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...
The Daily
Feb 14, 2020 — Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.
The Daily
Feb 12, 2020 — Wes Anderson’s The French Dispatch now has a trailer; and Pedro Almodóvar and Dee Rees are lining up new projects.
Feb 12, 2020 — If you were born in Mexico City in the second half of the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...
The Daily
Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)
The Daily
Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.
The Daily
Jan 31, 2020 — This week: Scorsese’s actresses, Paul Schrader’s plans, Lynne Sachs on Godard, Ritwik Ghatak’s rising reputation, and Bong Joon-ho everywhere.
On the Channel
Jan 30, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Jan 28, 2020 — The unpredictable story of a family of petty criminals features Evan Rachel Wood, Gina Rodriguez, Richard Jenkins, and Debra Winger.