Mar 6, 2018 — Scholar Donald Petrie delves into how inspired choices in casting and cinematography gave Tony Richardson’s Oscar-winning period comedy its modern sensibility.

Mar 5, 2018 — New York. “The New York street (and fashion) photographer turned New Left filmmaker gets a ninetieth birthday fête with The Eyes of William Klein,” writes J. Hoberman for the New York Review of Books. “Klein made his most political work...

Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.

Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Mar 3, 2018 — So this is the weekend that finally brings awards season to an end. The Film Independent Spirit Awards will be presented tonight (and here’s an overview of the nominations), and tomorrow’s the Big Night (again, the nominations). The one piece...

Mar 2, 2018 — “This was a singular experience,” writes novelist Walter Mosley, who’s revisited Norman Jewison’s In the Heat of the Night (1967) and turns in a powerful piece in the Hollywood Reporter. On the one hand, the “belief in the North as...

Mar 2, 2018 — New York. MoMA’s retrospective El Indio: The Films of Emilio Fernández is on through March 13. “With his longtime artistic comrade, the great cinematographer Gabriel Figueroa, Fernández directed the movies that gave arthouse audiences worldwide their vision of post-colonial Mexico...

True/False 2018

The Daily

Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...

Mar 1, 2018 — “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...

Mar 1, 2018 — Award-winning crime novelist Megan Abbott discusses her formative experiences as a film lover in the latest episode of our Channel-exclusive series Adventures in Moviegoing.

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